Quilt
- Description
- Handmade memorial quilt given to the family of Ariel Louis Jacobs. The quilt is made with red, white, and blue-patterned fabric with 19 quilt squares, each with an image transfer of a child's drawing or handwritten message, many of them patriotic in nature.
- Historical Notes
- Bronx native Ariel Jacobs lived in Briarcliff Manor, New York, with his wife, Jenna. They had married in 2000 and were expecting their first child in mid-September. On the 8th, Jenna threw Ariel an early surprise 30th birthday party. Ariel was an executive vice president at Caplin Systems. On September 11, he was at a conference at Windows on the World on the North Tower’s 106th floor. He was 29 years old.
Curator's Comment
The terrorist attacks of September 11, 2001, ignited a global passion to provide aid and comfort. For those unable to participate in actual rescue and recovery efforts at the various disaster sites, quilting emerged as one practical and creative way to demonstrate compassion and support for 9/11 family members, responders, survivors, and others who were profoundly affected by the attacks.
Traditionally the outcome of either communal or solitary cutting, piecing, and sewing efforts, quilts are both functional and tactile expressions of their makers’ emotions, ideas, and materials at hand that could be recruited into meaningful service. Those drawn to making quilts in response to 9/11 frequently used patriotic motifs, religious symbols, and images that quickly became emblematic of the attacks, such as the Twin Towers, the 5-sided Pentagon, airplanes, and firefighting paraphernalia. Some quilts served as memorial gestures in honor of specific individuals or groups of coworkers who had been killed while also performing therapeutic and healing functions for those making them. Communication of the magnitude of human loss suffered on 9/11 and the event’s disproportionate impact on particular companies, agencies, towns, and colleges are other themes that emerged among quilters.
Traditionally the outcome of either communal or solitary cutting, piecing, and sewing efforts, quilts are both functional and tactile expressions of their makers’ emotions, ideas, and materials at hand that could be recruited into meaningful service. Those drawn to making quilts in response to 9/11 frequently used patriotic motifs, religious symbols, and images that quickly became emblematic of the attacks, such as the Twin Towers, the 5-sided Pentagon, airplanes, and firefighting paraphernalia. Some quilts served as memorial gestures in honor of specific individuals or groups of coworkers who had been killed while also performing therapeutic and healing functions for those making them. Communication of the magnitude of human loss suffered on 9/11 and the event’s disproportionate impact on particular companies, agencies, towns, and colleges are other themes that emerged among quilters.
- Accession Number: C.2012.194.6
- Dimensions: 53.25 in X 66.5 in
- Dimensions (Metric): 135.255 cm X 168.91 cm
- Source: Jennifer Ruth Jacobs-Dick
- Credit Line: Gift of Jenna Jacobs in memory of my husband, Ariel Jacobs
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